A slow-motion study by Norman McLaren of the pas-de-deux adagio, one of the most exacting and difficult dances of classical ballet. A ballet originally choreographed by the Russian ballet master Asaf Messerer is performed for this film by the internationally known Canadian pair, David and Anna Marie Holmes, to the music of Albinoni’s Adagio. A film to heighten the aesthetic appreciation of classical ballet and to afford observation of the technique and mechanics of the adagio movements.

Young-hee visits a peaceful seaside village after losing husband and son meets Jun-woo who also comes to the village for 6-weeks rest after going through retirement and wife’s affair. One late night, Jun-woo who’s suffering insomnia sleep walks into sea, but Young-hee saves him. Young-hee notices Jun-woo’s broken heart and tries to help him by taking care of his summer cottage. Despite the different background, they slowly get closer and classic music becomes an instrument connecting hearts of these two lonely and hurt souls.

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The film tells the love story between Anna and José, while at the same time approaches the intersections of urban violence and artistic creation, nature and civilization, war and peace, life and death, abandon and union, showing that in the end of our path we are still coping with mystery, emptiness and transcendence.

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Ballet Shoes is British television adaptation of Noel Streatfeild's novel Ballet Shoes first broadcast on BBC One in 1975. Adapted by John Wiles and directed by Timothy Combe, the series was aired in six parts on Sunday evenings. It was aired by PBS in the United States on 27 December 1976.

Stephen Dwoskin brings together members of the Ballet Negres dance company, founded in London in 1946.

Three days leading up to Tiler Peck's direction and performance of a ballet exhibition in Los Angeles.

A woman wearing dragonfly wings performs a romantic dreamlike dance.

This short film is adapted from Madame d'Aulnoy's clasic fairy tale, The White Cat. The White Cat was originally planned as a feature film musical which Anna Biller worked on over a period of a couple of years, creating an original soundtrack, over a hundred costumes, many props, and a children's book. Eventually, realizing it was a bit unconventional and expensive to raise the proper funding for, she instead adapted it for the stage with a cast of eight performers, and called the new version The Lady Cat. The film and play were trying to capture the complex nature of the character of the White Cat, an enchanted princess who has been transformed into a cat, with all of the perversions and fancies that such a transformation implies. This particular scene is about the sexual feelings that are awakened in the two lovers when they witness the awakening of spring.